ALBERTO LEZACA
     
   
 
   
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Capriccio 25
 
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Capriccio 25, 2014. Video perfomance. Vanishing points exhibition at Guest projects - Shonibare studio, London

   
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Capriccio 25, 2010, detail)    
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Capriccio 25, 2010. (detail)    
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Capriccio 25, 2010, Bogotá. (detail)    
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Capriccio 25, 2010, Bogotá. (detail)    
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Capriccio 25, 2014. Video perfomance detail. Vanishing points exhibition at Guest projects - Shonibare studio, London    
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Capriccio 25, 2014. Video perfomance. Vanishing points exhibition at Guest projects - Shonibare studio, London    

Capriccio 25

 

Explore the relationship between the performer and the instrument, understood not alone in terms of musical creation, but also in the field of video art and video-graphic creation.
The most important aspect that revolves around the execution of this instrument, relies in the mental state feedback that generates the exception of this piece, where sounds and images mark a way forward for the creative act of improvisation and experimentation, where the work is set as a piece of pseudo-organic character, resulting in alterations of a formal nature each time the work is performed.
During the process of performing the instrument, the performer hands are taken as a direct bridge between the mind of the artist and the instrument, the morphology of the hands determines the type of music that is created and interpreted, and the change of morphology or altered morphology changes throughout the video-graphic medium, allowing the amplification of sound and random interpretative possibilities.

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